image courtesy of Atmosfear

History

"ARP's founder, Alan R. Pearlman, recognized the importance of teaching musicians how to use the technology, so he designed a new instrument with a fixed selection of basic synthesizer functions. This instrument, dubbed the Model 2600, was an integrated system with the signal generating and processing functions in one box and the keyboard in another. The functionality was borrowed from the original ARP modules [from the 2500], but instead of using matrix switches (which were expensive and bulky) for patching, Pearlman devised a system of factory-installed 'normal' connections between the modules. These connections could be added to or replaced by patch cords. Thus, a beginning user could work the system relatively simply. When the user desired to develop more complex sounds, patch cords could be added as needed.

"Pearlman believed that schools with small or medium-sized music departments were the main market for this new instrument. To further enhance the 2600's educational value, Pearlman put the graphics on the console's front panel so that the signal paths were easy to follow, and used sliders and slide switches so that the control and switch settings were easy to see. The first production run had blue panels, painted sheet-metal cases, and polished wood handles. 'That's not what I wanted,' Pealman recalls. 'I wanted the instrument to be housed in a rugged case that would travel safely. But those were the days when nobody listened to you if you were over 30, so the young designer had his way.' Musicians and retailers however quickly shot down the 'Blue Marvin' or 'Blue Meanie' design in favor of the vinyl-covered luggage-style case with the dark gray panel that remained in production from 1971 to 1981."

[excerpted with permission from the book Vintage Synthesizers by Mark Vail, copyright Miller Freeman, Inc]

The Meanies

Between 50-100 "Blue Meanies" were built in a garage before the ARP plant was open. They were very hard to service due to their all aluminum construction. They had a wooden bar across the top for carrying. They were sold with a keyboard. A few "Grey Meanies" (at least two) exist. They were a cross between the "Blue Meanie" and the normal 2600. The keyboard sold with the "Grey Meanie" came with a handle on its keyboard matching the one on the synth.